Photo of Kirk Pengilly (guitar, saxophone, vocals) of the Australian rock band INXS and Rick Sales, their tour manager. Arriving for the soundcheck at Harlow’s Club in Stone Mountain, GA (15 miles east of Atlanta) on September 5, 1983.
This was the last INXS concert on their first tour of the United States. I didn’t go to this concert, but Terri and Jess did. So did someone by the name of Tanya. She was friends with Jess. I don’t remember anything about her such as where she lived or how she knew Jess. It’s my understanding that a bootleg tape of some of this concert was recorded by her.
When I found out that my friends were going to Atlanta to see INXS, I bought a postcard with a map of New Jersey on it to give to Kirk. New Jersey was part of our conversation and I had even drawn a crude map for Kirk so buying it for them to give to him seemed like a great thing to do. On the front of the postcard, I made a mark in the area where Hillsdale was located and I wrote, “This is where I live” with an arrow pointing to it. I wrote my address on it. I can’t be 100% sure anymore if it was the address of my mother’s house in Hillsdale but odds are that it was. If I wrote anything else, it would have been that I enjoyed talking to him or something like that. I no longer remember some specific details, but I remember how I was and how I behaved. The guesses I make are based on my likely behavior.
By this time, the band recognized Terri and Jess. When they showed up to do their soundcheck, my friends were already there. Jess took photos of everyone in INXS except for Timmy. Jess gave my postcard to Kirk, and he must have known that they were going to be recording at the Power Station in New York City with Nile Rodgers by that time. He asked Jess for my phone number. She gave him the phone number at my mother’s house in Hillsdale.
If my friends told me details about the show, I did not write them down. They were invited back to the hotel lounge after the show by INXS. I’m sure they went. I was happy to know that Kirk asked for my number because I thought we had hit it off. He was interesting. And then he called!!
After this last INXS concert, the band went to Florida to write songs for their next album, The Swing. Where in Florida? No idea. Kirk called on Friday September 9, most likely because I know he called the day before I had to leave Hillsdale and move into my dorm room in Philadelphia. My mother worked so she was probably taking me on Saturday. My mother answered the phone and then gave it to me. She was not amused to find out that the man who called was a member of an Australian rock band. Some man fucking up my life was not something she wanted for me.
Kirk invited me to visit him at the studio in New York City. He told me where they would be and when they would be there. INXS were scheduled to be at the Power Station on Tuesday, September 13 and Wednesday, September 14, 1983. I told him that I couldn’t go because it was the first week of classes. The professors take attendance during the first couple of weeks of class and if you miss class then you risk being dropped from it so someone from the waiting list can take the class. And I was afraid of that. Money was tight and I couldn’t afford to make a costly mistake.
It’s possible he called me a couple of days earlier and I went back to school a couple of days earlier because that would have given more time for my roommate, Dohi, to perm my hair using a store-bought kit. That was something that happened before I went to visit Kirk. It was a bad perm. I looked like I stuck a fork into an electrical outlet.
This is a photo of me from a month after I went to NYC so you can see my perm. My mother married the man who owned the HoHoKus bakery. They are the two sitting next to me. It’s from the wedding reception.
But then I told Jess, and she was willing to do whatever needed to be done to make it happen. I thought about it and changed my mind. Somehow, Terri had the phone number for the rehearsal studio in Florida where INXS was. She had already called there to talk to Timmy- maybe? Terri gave me the number and I called to talk to Kirk and tell him I was coming. When I called, he wasn’t there so I left a message with the person who answered the phone that I would come to the studio after all.
On Tuesday, September 13, I took a train from 30th Street Station in Philadelphia to Newark, New Jersey. While I was waiting for my train in Philly, I browsed at the newsstand, and I saw the Weekly World News for the first time. It was a black and white tabloid paper full of ridiculousness. The cover said, “I AROSE FROM THE DEAD AS A ZOMBIE.” I bought it. The paper was a mix of strange but true stories and crazy stuff like Elvis sightings and space aliens. I loved it. I had a subscription to it a few years later.
Jess drove to the train station in Newark to meet me and we had lunch at Burger King before going into New York City. The Power Station was in Hell’s Kitchen and back in the 80s, it was known to be a dangerous area of the city. Jess drove us into Manhattan and drove around the block where the studio was supposed to be. It didn’t look like there was anything there. There was a school with a playground on one side of the street and graffiti-covered buildings on the other.
Jess parked at a space with a parking meter, and we walked around until we found the building. The window on the door was boarded up. We didn’t know what was going on because we expected something that didn’t look abandoned.
https://en.wikipedia.org/wiki/Power_Station_(recording_studio)
I was extremely, extremely nervous and I kept saying, “I’m not going in there.” That’s because the sex part of this trip just got real. They were in a rock band after all and that was what I felt was expected in this situation. Kirk didn’t say on the telephone to come spend the night with him, but I felt it was implied. And I wanted to do it, but I also didn’t want to do it. I was a lot more interested in finding a boyfriend before I took that step. At 18, almost 19, I was still a virgin and had now kissed two guys, one of them being Kirk Pengilly of INXS. Jess insisted that I was going in there.
Jess rang the bell, and someone opened the door. She pulled me into the lobby. There was a camera focused on the door, so I smiled and waved to it. Later, I noticed the monitor for it in the studio. Jess asked the guy in the lobby if INXS was in the studio. He picked up the phone and asked who was here to see them. She said, “Jess,” and quickly added, “and Donna.”
When he got off the phone, he told us to take the elevator to the third floor “but do not go into the recording studio.” The elevator doors opened into what looked like a living room. On the left side there was a couch against the wall and the door to the recording studio. Straight ahead were other couches against the wall. To the right, there were windows that looked out to the street, more seating and a low table. There was also a kitchen area with countertops and a refrigerator. And there was a bathroom.
We walked in and Jon Farriss, the drummer, was sitting on the couch in front of us. He was talking on the phone with his girlfriend from Texas, Lisa McCormick. When he noticed Jess, he said, “Boy, you really get around.”
Garry Gary Beers, the bassist, was also in this lounge area. He was talking to a man about getting a sponsorship to play their bass. Jess asked Garry if Kirk was around, so Garry went inside the recording studio. There were no windows so we couldn’t see what was happening in there unless we were in there.
https://dittomusic.com/en/blog/how-to-get-sponsored-as-a-musician
I sat down on the couch near the elevator and started reading theWeekly World News. It was 3pm and I thought about how I would be in my finance class right now if I had not come to the studio and that I probably should have gone to my class instead.
Timmy Farriss, the guitar player for INXS, came out and came over to me. He said, “Hi! How are you?” I think he remembered me from that night in Poughkeepsie. Timmy told me that Kirk was busy “at the moment” and that he would come out as soon as he could. I showed Timmy the Weekly World News and he said, “Wow! This is great! Can I take this in to show the guys?” Of course, I was going to let him take it. I said, “Sure” so he took the paper and went back into the recording studio.
Jess and I were just sitting there along with Garry and the guy he was talking to about the bass sponsorship. There were other people in the lounge and the studio from time to time. Jess recognized Neil and Colin who were part of the INXS road crew. And there were three girls there who were invited by Michael Hutchence, the lead singer. One girl had part of her head shaved like Anabella Lwin, the singer for Bow Wow Wow, so Michael called her Anabelle.
From time to time, Jess had to leave the building to feed coins into the parking meter. Kirk came out of the studio when Jess was outside. He poked me in the stomach with his index finger and said, “What are you doing here?” I told him I came to say hi! He said I should have called Florida like Terri had done and I told him I had and that I left a message. Kirk didn’t get the message. He told me he was sharing a room with Garry and that it wasn’t possible to switch because Tim already had a guest staying with him. He asked what I did to my hair, and I told him the story.
Jess came back in and told us that her arm had been hit by a passing car while she was out there. She didn’t need medical attention. She was only slightly hurt. Kirk offered us something to drink. The choices were beer, vodka, mineral water, or milk. Now I’m very picky- there are many things I cannot eat or drink. And when I am nervous or stressed, my stomach and digestive tract cause me all sorts of problems too. Carbonated beverages are something I avoid so the beer and the mineral water did not appeal to me. Straight vodka tastes nasty, and I don’t drink a lot of alcohol. But if there had been some orange juice or cranberry juice, I would have had some vodka with that. That left milk. So, yes, I went into their rock and roll studio and had a glass of milk. Kirk laughed when I chose milk but then he brought me a glass of milk.
We spent almost no time in the actual recording studio that day. That I didn’t want to leave Jess by herself after she came back from dealing with the car was one reason. I also didn’t want to get in the way of the work. We saw Nile Rodgers, guitarist from Chic and the producer of Original Sin, but we didn’t interact with him much.
Jess and I were sitting in the lounge on the couch near the elevator and we were laughing hard at something when Nile came out. He saw us cracking up and he said, “And I thought I was really happy.” He thought we were high on something like he was. Nile Rodgers referred to cocaine as “silly shit” sometime during our time there. I don’t remember the details.
Tim Farriss came out to do a line of coke on the low table that faced the windows. The windows looked out onto the school playground so when he got up, he said, “Hi, kiddies!”
Michael also mentioned cocaine. He told his three young guests that he had bought some Peruvian Marching Powder (his term for cocaine). He said he was saving it for when they went slam dancing later.
There was a time when I was chatting with the three girls. I don’t think anyone else was around. It was how I found out that they had been invited to the studio by Michael when they saw INXS play at Mississippi Nights, a club in St. Louis on August 31, 1983. That was two nights after my friend, Jackie, saw them open for Men at Work in Chicago. I’ll tell her story from that concert in another blog post.
These girls were claiming that they had just graduated high school. Well, that was me the previous summer, so I started asking questions to find out what we had in common like where they were planning to go to college. Stuff like that. One of the girls decided to confess that she was fifteen and about to be a sophomore in high school. She was not the girl with the shaved head. They had told their parents that they were going on a trip to Chicago when they were really going to New York City because that way the parents would allow them to go. I was told that they would not have been allowed to travel to New York City if their parents knew that was where they were going.
It wasn’t very hard for me to get the truth. I wonder what the band knew or believed or if they even cared. The people in the music industry back then were quite disgusting and perhaps only cared about not getting in trouble when it came to messing with their young fans. I didn’t do anything about it at the time, but I also never forgot about it. Given Michael’s reputation when it came to having sex, it’s hard to believe that nothing untoward happened but maybe nothing did. Still, why did this 23-year-old man invite high school girls to hang out with him? At least Kirk knew that I was in college and over 18. But I can still find fault with Kirk too because he was 25 so I think I was too young for him.
Michael was telling them some weird things. What I wrote down was that he said that all the animals in Australia except for rabbits are protected so you aren’t allowed to kill them. And then he said that no one ate at the Chinese restaurants in Australia after they heard that the restaurants were using possums in their dishes.
At one point Jess and I were in the lounge by ourselves. Jess went out to deal with the parking meter again. Kirk came out and asked if I wanted to come inside the recording studio, but I said I would wait in the lounge until Jess came back. Then I was alone and, I looked at the sheet of paper that Michael was writing the lyrics on.
I sat down on the couch again and waited for Jess. Michael came out to work on the lyrics and I ignored him. He wasn’t the reason I was there, and I was still very nervous about what would happen with Kirk. Michael asked, “How is New York treating you?” I answered him by saying, “Is that a question?” We did not have a conversation.
A little later, Michael sang the Led Zeppelin lyric, “Big-legged woman ain’t got no soul” from the song Black Dog. And you should know that I have extremely long legs, disproportionately long legs. They are my most distinctive feature. The feature that caused me to be called “Daddy Long Legs” like the spider and that meant I often wore “high water” pants because I couldn’t find pants that were long enough. They looked fantastic and they were why I was a track star in high school but nevertheless, I was highly offended by this. I felt that Michael Hutchence was singing to me that I had no soul. I glared at him, and he said, “Sorry.”
Jess came back and she was very upset because her car had been towed and it was going to cost $110 to get it back. Kirk came out again and he almost stepped on my bare feet. Apparently, I had taken my shoes off at some point. It’s likely I was wearing sandals, but still, it could be considered a weird thing to do. The three of us discussed what happened to the car. Kirk offered to pay the money. Jess declined his offer. I told her that in her place, I would take the money and Kirk said that he would do that too. Still, she said no and left again to retrieve the car.
Kirk invited me into the recording studio again and this time I went in with him. I stood near the control panel. Timmy was playing his guitar part for the song. Garry was sitting on one side of me, and he was reading the Weekly World News. He laughed when he read the story about two lovers lying on a beach on Long Island who had their heads run over by a garbage truck and survived.
A true story.
Nile Rodgers was into the music. He kept saying “Dis shit is happening” and “Bingo, this is fucking happening!” I loved it and started using those phrases whenever possible going forward. Andrew Farriss was sitting down eating a sandwich and making suggestions to Tim about his guitar work. I heard Timmy play one part of the song about twenty times.
Kirk asked if I wanted anything so I said I would have some mineral water. He got a glass of water and brought it back to me. I only took two sips of it because it tasted awful. We went to check the lounge to see if Jess came back and when she did, she came into the studio with us to watch for a couple of minutes. Then Jess and I went back out to the lounge to talk about the car.
We both sat on the couch by the elevator door again where we had a view of the kitchen area. Michael came out and went to the refrigerator where he took out a beer. Michael was looking around for a bottle opener but did not find one, so he started banging the top of the bottle on the edge of the counter to try to open it. Jess said, “Michael, I have a knife. Do you want it?” He said, “No, I enjoy whacking” while he continued to hit the counter. He said it in such a way that it was clear he was talking about masturbation. Then he was successful at opening the beer bottle and at that time he looked at me and smiled and said, “I love getting tops off.” It was clear by the way he said it that he meant he loved taking off the shirts that women are wearing. It was gross and I didn’t appreciate it. He was about as mature as some stupid boy from my junior high or high school.
Jon, Kirk and Timmy came out and Michael wanted to know what they thought about his lyrics for Original Sin. At that time, the lyrics said, “Dream on white boy, dream on white girl.” He asked, “Do you think it sounds okay?” Jon replied, “It’s no different from ‘natives wearing turquoise and silver.’” That lyric is from the song “Old World, New World” which is on their Shabooh Shoobah album. Michael got frustrated and said, “You have no idea what I’m talking about.”
Perhaps that led to Michael adding the “dream on black boy, dream on black girl” part that Nile Rodgers mentions in the INXS Access All Areas podcast. Because I don’t remember that part from the day I was there. Maybe Michael added it that to make it clearer that the dream was for some kind of paradise where all races got along together. Nile Rodgers says he talked them into mixing up the races even further within the lyrics and that is how the song was recorded. I wasn’t there for that because the vocals were not recorded until the next day. More about that in the next blog post.
https://www.inxsaccessallareas.com/post/episode-166-nile-rodgers-interview
The guys all started talking about the song. They were very excited about how it was going. They wondered if Original Sin would go to number one on the charts-they all wanted it to be a big hit.
Timmy said that Nile was in the studio playing some guitar lines to add to the song. He said that it would make the song harder to reproduce live, “but who cares as long as it sells more records.”
Kirk said he wanted to be famous, and that he also wanted to buy a house. Andrew started talking about how Nick Launay (the man who was about to produce the rest of their album, The Swing) and his girlfriend are a team and that they go everywhere together. Andrew didn’t want the band to pay to fly Nick’s girlfriend from London to Australia. Kirk said, “Why not? It’s only $1500.” Andrew suggested that they should wait until the album was recorded and then tell him that they won’t pay for his girlfriend. Andrew thought that if Nick knew this before they recorded the album that it might affect his work.
Someone in the band popped a cassette tape of Original Sin into a boombox and we all listened to what had been completed so far. The song didn’t have any vocals, but it sounded good. The work was done for the day, so everyone left.
In the podcast, Nile Rodgers said that it was a late night, but it wasn’t. Maybe the next day they ended late, I don’t know, but it was no later than 8pm when we left, and I think it was more like 7pm.